Posts Tagged: Odds & Sods


15
Mar 10

Music Shrink #13

Tips for enjoying SXSW and people-dense places.

Derek Sivers, the visionary who created CD Baby (and a very nice guy), asked some people for tips on on how to best deal with the promotional-intense music convention scene.   With South by Southwest just around the corner, here are my thoughts:

1.  Be open to fortuitous error. More often than not, the really big meeting that may have instigated your convention attendance won’t even be where your future lies.  It will be the person you bump into by the escalator or who strikes up a conversation after spilling beer on your shoes at a gig that can change your life and help your career.  You are surrounded by talented people with shared interests, don’t presume anything about anyone and be OPEN.

2.  Have a business card. It may seem old school, but after a good conversation, being able to hand a simple, tangible artifact representing yourself is helpful to people.  Make sure it looks good and that you like it.

3.  Don’t eat alone. You are surrounded by so many people with common interests and goals.   The time for quiet reflection is  when you get home.  Right now, dive into the stream of humanity.  Make yourself known (nicely), and learn about people.

4.  Pace yourself (especially drinking.)  ‘Nuff said.

5.  Don’t be shy. Insecure?  So is everyone else in music.  Fuhgeddaboutit.  This is your opportunity to make an impression.  When you meet someone, find something that interests you about them, ask questions ,and learn about what they do.   You’d be surprised how often their pursuits might benefit from your talents or vice versa (see Point 1.)    You don’t want to miss out.

6.  Follow-up. Within a week after the convention, when  you have had a good conversation with someone and exchanged information, follow up with a short e-mail reminding them of where you met (remember, like yourself, they have probably met more people than they can specifically remember and things start to blur.)  Let them know you enjoyed meeting them and ask them to keep you in mind if they need assistance with anything.   Put your contact info by your signature so they can easily cut and paste it into their own contact list.

7.  Learning one ‘big idea’ per day is a very successful convention. If you are in a meeting where you are learning something important to you, stay until you’re satisfied.   You seldom get anywhere by rushing around and cramming too many meetings into an hour.  You won’t absorb it all.

8.  You never learn by talking. Listen.

9.  That said, talk when you have something to say and then allow the other person to respond.  If you find yourself talking for more than 30 seconds at a stretch, you aren’t talking, you’re pitching/self-promoting.  The pitch can come at a later date.   Right now, engage and enjoy.

10.  Make sure your digital identifier website/myspace/blog is functioning well before the convention. When you meet people and give them your card assume they will check out your site to learn more about you and your work.  Remember, your site is representing you.   Is it readily understandable for the user?  Do all your song links work?  Make sure you have tested everything.

11.  Hit the Salt Lick.    Great barbecue and vibe about 30 miles outside Austin.  Yum.


12
Jan 10

Music Shrink #6

Wisdom from Lemmy Kilmister

http://userserve-ak.last.fm/serve/_/5834419/Lemmy+Kilmister+LEMMY.jpg

Metal giant Motorhead’s singer/bass player/road warrior was once asked about his kind offstage demeanor by a surprised journalist.   He responded that while growing up,  his mother often told him, “Good manners are free.  Everyone should have them.”

You will run across all different kinds of people in a variety of potentially stressful situations throughout your career.  There is no shortage of attitudes in the music business.  Being a decent person to deal with will help you on your way up and build lifelong fans along the way.  Much of this is common sense, for example, by being nice to the person helping you during your soundcheck you are far more likely to get an attentive, better mix.  Treat them poorly and you may suddenly lose a monitor.

In the unstable world of pop culture, good relationships can cushion career falls on the way down too.


29
Dec 09

Music Shrink #4

When in Doubt, Leave it Out.

Making decisions about recording and mixing options has always had the potential to bog a musician down with variables.    Even home-recording rough demos can now invite the use of multi-tracking, countless effects, plug-ins, mic choices, etc.  For an artist this often invites the opportunity to drown in options.  By obsessively reviewing variables that often do not contribute to the material, you are distracting yourself from an important objective:  finishing the song.

When considering any choice you make during the recording process, you can avoid missing the big picture and simplify things by asking yourself, “Does making this change in the recording improve the song?”   If the answer is no, obviously leave it out.  Importantly,  if you truly can’t decide whether it improves it or not, then the answer still is leave it out. Every sound on your recording, every arrangement decision, every vocal, every mix technique should propel the song forward.  Flourishes that are pleasant but not helpful only drag down the impact of the important elements of your song.

Tom Petty believes his pop anthem “Free Fallin’” was greatly improved when producer Jeff Lynne simply suggested he remove some pleasant but non-integral chords from the song.  The advice was valuable enough that Tom gave Jeff a co-writing credit.

Often the adage is true that less is more.


22
Dec 09

Music Shrink #3

Be a Pragmatic Idealist.

Know yourself and be honest about what you want. Nick Hornby, British novelist and author of High Fidelity, a must-have novel for the obsessive music junkie, recently recounted to Rolling Stone’s Jonathan Ringen (RS October 29, 2009 p 17) his conversation with Bruce Springsteen about stagecraft. “Bruce said one incredibly simple thing: ‘It just helps to remember that every part of the show is a show.’”

Hornby went on to point out that regarding would-be novelists, “Anyone who says they’re writing for themselves is full of shit. That’s something you hear writers say a lot. I always wonder why their drafts happen to be 90,000 words long, because that’s a really strange, random length for a book, but it happens to be the length of most books…the act of writing a novel already knows and demands a readership. To forget about your readers is a mistake.”

By changing a few words, like ‘writer’ to ‘musician’, ‘book’ to ‘album’, ‘90,000 words’ to ‘45 minutes’, and ‘readers’ to ‘listeners’, you have excellent advice for your music career. You do want your music to be heard. And you should. Being honest about your desire to reach people with your music can help you deal with the public in an authentic way. It invites a real relationship with your fans, and that communication will, in turn, help you determine how to best present your music.


15
Dec 09

Music Shrink #2

God is in the details.

Mentor of the week: Mies van der Rohe, one of the masters of Modern architecture.

http://en.wikipedia.org/wiki/Ludwig_Mies_van_der_Rohe

Mies is widely credited with the saying, “God is in the Details.”  This notion is as applicable to your music as it is to architecture.  Paying attention to every detail can move a listener from “Hey, that song is pretty good” to “This music is incredible”— so compelling, in fact, that they are willing to spend their hard-earned cash to have your music as a part of their life.

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