Jan 12 2010

Music Shrink #6

Wisdom from Lemmy Kilmister

http://userserve-ak.last.fm/serve/_/5834419/Lemmy+Kilmister+LEMMY.jpg

Metal giant Motorhead’s singer/bass player/road warrior was once asked about his kind offstage demeanor by a surprised journalist.   He responded that while growing up,  his mother often told him, “Good manners are free.  Everyone should have them.”

You will run across all different kinds of people in a variety of potentially stressful situations throughout your career.  There is no shortage of attitudes in the music business.  Being a decent person to deal with will help you on your way up and build lifelong fans along the way.  Much of this is common sense, for example, by being nice to the person helping you during your soundcheck you are far more likely to get an attentive, better mix.  Treat them poorly and you may suddenly lose a monitor.

In the unstable world of pop culture, good relationships can cushion career falls on the way down too.

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Jan 04 2010

Music Shrink #5

Avoid “Validation through Infrastructure.”

You’ve been working for years creating music, writing songs, playing your music live, hoping to reach people in some way with what you’re doing.   Finally, someone has expressed interest in your music.  In fact, they want to “work” with you.

This can be extremely flattering and there is no reason not to feel good about generating interest from people.  Enjoy the moment and be gracious, but be non-committal. Someone who truly wants to get involved with your career over the long haul won’t pressure you.  They should respect your need to take time and think things over.

Avoid the temptation to work with someone just because you feel it legitimizes you in a “hey I just signed with a manager/record label/agent!” sort of way. Whether it is a potential agent, record label, manager, lawyer, producer, etc.,  determine if the interested party can serve a genuine purpose in building your career.  Do you need them?  What do they bring to the table? If it is career expertise, then find out whom they have worked with.   If it’s money, then find out how they envision investing it in your career. Perhaps the amount they want to spend is encouraging but they are asking for control over your decision-making. Maybe the amount isn’t enough to be helpful.   Always ascertain what is expected in return before you agree to anything.  And remember, in business nothing is free.

These days, provided you have a strong work ethic and a fair degree of discipline, you don’t need support staff, business people etc. in order to get your career started.  That can come later if and when you need help.  By the way, you will know when you need the help – there will simply be too much for you and your band to do all by yourselves.  In short, if you have to ask yourself whether you need a manager/agent/label/lawyer etc. or not, you aren’t yet at the point where you need them.

The longer you build your own career yourself, the more you will understand the business aspects of getting your music heard.   Ultimately this will lead to smarter deal making when the right time comes because you will truly understand what the other party can (or cannot) do for you.

Knowledge is power, especially in the music business.  Learn all you can.

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Dec 29 2009

Music Shrink #4

When in Doubt, Leave it Out.

Making decisions about recording and mixing options has always had the potential to bog a musician down with variables.    Even home-recording rough demos can now invite the use of multi-tracking, countless effects, plug-ins, mic choices, etc.  For an artist this often invites the opportunity to drown in options.  By obsessively reviewing variables that often do not contribute to the material, you are distracting yourself from an important objective:  finishing the song.

When considering any choice you make during the recording process, you can avoid missing the big picture and simplify things by asking yourself, “Does making this change in the recording improve the song?”   If the answer is no, obviously leave it out.  Importantly,  if you truly can’t decide whether it improves it or not, then the answer still is leave it out. Every sound on your recording, every arrangement decision, every vocal, every mix technique should propel the song forward.  Flourishes that are pleasant but not helpful only drag down the impact of the important elements of your song.

Tom Petty believes his pop anthem “Free Fallin’” was greatly improved when producer Jeff Lynne simply suggested he remove some pleasant but non-integral chords from the song.  The advice was valuable enough that Tom gave Jeff a co-writing credit.

Often the adage is true that less is more.

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Dec 22 2009

Music Shrink #3

Be a Pragmatic Idealist.

Know yourself and be honest about what you want. Nick Hornby, British novelist and author of High Fidelity, a must-have novel for the obsessive music junkie, recently recounted to Rolling Stone’s Jonathan Ringen (RS October 29, 2009 p 17) his conversation with Bruce Springsteen about stagecraft. “Bruce said one incredibly simple thing: ‘It just helps to remember that every part of the show is a show.’”

Hornby went on to point out that regarding would-be novelists, “Anyone who says they’re writing for themselves is full of shit. That’s something you hear writers say a lot. I always wonder why their drafts happen to be 90,000 words long, because that’s a really strange, random length for a book, but it happens to be the length of most books…the act of writing a novel already knows and demands a readership. To forget about your readers is a mistake.”

By changing a few words, like ‘writer’ to ‘musician’, ‘book’ to ‘album’, ‘90,000 words’ to ‘45 minutes’, and ‘readers’ to ‘listeners’, you have excellent advice for your music career. You do want your music to be heard. And you should. Being honest about your desire to reach people with your music can help you deal with the public in an authentic way. It invites a real relationship with your fans, and that communication will, in turn, help you determine how to best present your music.

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Dec 15 2009

Music Shrink #2

God is in the details.

Mentor of the week: Mies van der Rohe, one of the masters of Modern architecture.

http://en.wikipedia.org/wiki/Ludwig_Mies_van_der_Rohe

Mies is widely credited with the saying, “God is in the Details.”  This notion is as applicable to your music as it is to architecture.  Paying attention to every detail can move a listener from “Hey, that song is pretty good” to “This music is incredible”— so compelling, in fact, that they are willing to spend their hard-earned cash to have your music as a part of their life.

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