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	<title>Comments on: When in Doubt, Leave it Out.</title>
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	<link>http://musicshrink.com/2009/12/29/music-shrink-4/</link>
	<description>Helping your music succeed where art and commerce meet.</description>
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		<title>By: Jim Powers</title>
		<link>http://musicshrink.com/2009/12/29/music-shrink-4/comment-page-1/#comment-79</link>
		<dc:creator>Jim Powers</dc:creator>
		<pubDate>Mon, 10 May 2010 13:46:47 +0000</pubDate>
		<guid isPermaLink="false">http://musicshrink.com/?p=84#comment-79</guid>
		<description>Thanks Amy. Often it is that little inventive twist that takes something from good to great.  Like the unplanned &quot;chucka&quot; guitar sound just before the chorus on Radiohead&#039;s &quot;Creep&quot; single.  Originally the guitar player was just making sure his guitar signal was up before he was to hit that monster chord in the chorus.  The tape was running. They liked this fortuitous accident. They kept it in!</description>
		<content:encoded><![CDATA[<p>Thanks Amy. Often it is that little inventive twist that takes something from good to great.  Like the unplanned &#8220;chucka&#8221; guitar sound just before the chorus on Radiohead&#8217;s &#8220;Creep&#8221; single.  Originally the guitar player was just making sure his guitar signal was up before he was to hit that monster chord in the chorus.  The tape was running. They liked this fortuitous accident. They kept it in!</p>
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		<title>By: Amy</title>
		<link>http://musicshrink.com/2009/12/29/music-shrink-4/comment-page-1/#comment-76</link>
		<dc:creator>Amy</dc:creator>
		<pubDate>Fri, 23 Apr 2010 13:03:17 +0000</pubDate>
		<guid isPermaLink="false">http://musicshrink.com/?p=84#comment-76</guid>
		<description>Jim, good advice (and another Mies/architecture crossover.) When it fits, it fits, and any musician would be better served by trying something new rather than trying to shoehorn a sound, structure, or lyric into a track.</description>
		<content:encoded><![CDATA[<p>Jim, good advice (and another Mies/architecture crossover.) When it fits, it fits, and any musician would be better served by trying something new rather than trying to shoehorn a sound, structure, or lyric into a track.</p>
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		<title>By: Jim Powers</title>
		<link>http://musicshrink.com/2009/12/29/music-shrink-4/comment-page-1/#comment-32</link>
		<dc:creator>Jim Powers</dc:creator>
		<pubDate>Tue, 02 Feb 2010 04:08:13 +0000</pubDate>
		<guid isPermaLink="false">http://musicshrink.com/?p=84#comment-32</guid>
		<description>Tony I love the &quot;Kill your darlings&quot; quote.  Right on the mark.  Thanks.</description>
		<content:encoded><![CDATA[<p>Tony I love the &#8220;Kill your darlings&#8221; quote.  Right on the mark.  Thanks.</p>
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		<title>By: Tony</title>
		<link>http://musicshrink.com/2009/12/29/music-shrink-4/comment-page-1/#comment-29</link>
		<dc:creator>Tony</dc:creator>
		<pubDate>Mon, 01 Feb 2010 19:25:04 +0000</pubDate>
		<guid isPermaLink="false">http://musicshrink.com/?p=84#comment-29</guid>
		<description>Wise words, indeed! It made me think of author William Falkner&#039;s advice to aspiring writers: &quot;Kill your darlings&quot;, adapted by screenwriter William Goldman to &quot;Kill all your babies&quot;. The thought being that a line, a passage or a phrase may be smart but if it&#039;s only there to be smart and doesn&#039;t add to the whole, then it should be cut. 
Cool site!</description>
		<content:encoded><![CDATA[<p>Wise words, indeed! It made me think of author William Falkner&#8217;s advice to aspiring writers: &#8220;Kill your darlings&#8221;, adapted by screenwriter William Goldman to &#8220;Kill all your babies&#8221;. The thought being that a line, a passage or a phrase may be smart but if it&#8217;s only there to be smart and doesn&#8217;t add to the whole, then it should be cut.<br />
Cool site!</p>
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		<title>By: Jim Powers</title>
		<link>http://musicshrink.com/2009/12/29/music-shrink-4/comment-page-1/#comment-10</link>
		<dc:creator>Jim Powers</dc:creator>
		<pubDate>Thu, 31 Dec 2009 05:54:45 +0000</pubDate>
		<guid isPermaLink="false">http://musicshrink.com/?p=84#comment-10</guid>
		<description>Agreed Josh.  It is amazing in recording/mixing situations how quickly one can get locked onto a sonic bauble that may have merit in the right context but ultimately doesn&#039;t serve the song.  Thanks for checking in.   Jim</description>
		<content:encoded><![CDATA[<p>Agreed Josh.  It is amazing in recording/mixing situations how quickly one can get locked onto a sonic bauble that may have merit in the right context but ultimately doesn&#8217;t serve the song.  Thanks for checking in.   Jim</p>
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		<title>By: Joshua Wentz</title>
		<link>http://musicshrink.com/2009/12/29/music-shrink-4/comment-page-1/#comment-9</link>
		<dc:creator>Joshua Wentz</dc:creator>
		<pubDate>Wed, 30 Dec 2009 00:11:39 +0000</pubDate>
		<guid isPermaLink="false">http://musicshrink.com/?p=84#comment-9</guid>
		<description>Jim, good advice (and another Mies/architecture crossover.) When it fits, it fits, and any musician would be better served by trying something new rather than trying to shoehorn a sound, structure, or lyric into a track.</description>
		<content:encoded><![CDATA[<p>Jim, good advice (and another Mies/architecture crossover.) When it fits, it fits, and any musician would be better served by trying something new rather than trying to shoehorn a sound, structure, or lyric into a track.</p>
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